









This is a paravent, according to my Swiss friend. I would have called it a room divider, or a great giant art toy. Paravent, however has an elegant ring to it. 


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This little piggy went to market... well to Hope Rural School's annual fundraiser in Indiantown. It was hard to let her go! When she arrived in my studio she was an old piece of yard art, grey and flaking big chunks of fiberglass. It was love at first sight! We patched her up with Bondo and magic took her to my friend, Mike Kirkhart, at New Wave Taxidermy. I know, I know, TAXIDERMY? Yes. New Wave Taxidermy has a world class reputation (go look at www.newwavetaxidermy.com), and through the years they've seen just about every critter come through their doors, but this was their very first yard art pig. Brilliant artist that Mike is, he knew exactly what she needed, and in a couple of hours this little piggy had a pair of custom wings. I splashed her with a coat or two of paint and some special wax for effect, we cut a slot in her back and plugged her belly with a big black stopper. Now she's going off to earn her keep as a (piggy) bank for the donations made to Sister Mary Dooley's kids at Hope Rural School. For more information on the school (which serves the children of migrants), their students (134 brilliant boys and girls), and their only fund raising event of the year go to www.hoperuralschool.com.
I had the good fortune to spend a morning last week with these talented girls from Hope Rural School in Indiantown. We met by the river and painted a piggy bank together. They were fun and smart, and well, just look at their sense of design! Every year Hope Rural School has a fundraiser to support their amazing programs, and this little piggy is going to be one of the auction items. Their fundraiser is held on Sunday, March 20, 2011. Did you want to bid on this lovely pig? You can find more about the school, the children of migrant workers who attend, and Sister Mary Dooley, who runs it. Go to www.HopeRuralSchool.org . Reminds me of my favorite quote: "Never doubt that a small group of thoughtful, committed citizens can change the world, indeed it's the only thing that ever has. - Margaret Mead

Janeen Mason writes and illustrates award-winning children's picture books. She uses her brilliant sense of color to transport us through each one, and she's now on her fourteenth. Mason says "Children's picture books are a primary source of inspiration which have enormous consequence in our culture. They provide the introduction to a lifetime of creative imagination and appreciation for the arts. This is powerful juju in a landscape of ever accelerating technology."
Janeen is a popular speaker on radio, at schools, libraries and in workshops. Awards for her books include the Ben Franklin Award (silver), the U.S. Maritime Literature Award(gold), the Moonbeam Children's Book Award (gold), theMom's Choice Award, the iParenting Award, and in 2010 she was a finalist in the Book of the Year Award. Mason has received a Lifetime Achievement in the Arts Award.Her large scale fine art hangs in the collections of Burt Reynolds, Reba McEntire, Evan Lloyd and S. Kent Rockwell. Ms. Mason was recently featured with the MacArthur Award Winner, Dr. Edith Widder, on NOVA Science Now.
Ms. Mason is active in the arts. Appointed by two senate presidents, she is serving her second term as a member of the Florida Council on Arts and Culture, currently as the vice chairman. Memberships include the board of directors for the Arts Council of Stuart and Martin County, the board of directors of The Friends of the Blake Library of Stuart, Inc., the Florida Association of Public Art Administrators, the Florida Reading Association, the Children's Book Council, and SCBWI. As the Illustrator Coordinator for the Society of Children's Book Writers and Illustrators in Florida for the last five years, she produced annual "Illustrator Intensives" where she hosted well-known contemporary children's book illustrators as guest instructors in retreat settings.
A solo exhibition of 100 original picture book illustrations from her books visited six Florida museums and galleries and is scheduled for three more in 2011. In 2010, her art celebrated a one-woman exhibit for three months in the 22nd floor gallery of the Capitol Building in Tallahassee, Florida.
"Artists effortlessly speak across time because the technology of the human soul does not change." -Wynton Marsalis
Truer words have never been spoken. But creating a beloved children's picture book that will be enjoyed over and over again requires sophisticated tools, tinkering and tenacity.
1) Start with a story idea that you love, love, love. "Gift of the Magpie" presented itself as an idea when I worked in a studio that was built in 1926. It was near the Manatee Pocket on the Atlantic Coast of Florida, where the wind whistled through the high windows and through the 20' door in the back. At a certain time of year crows would flock to the power lines that stretched across the courtyard in the back. Their cacophony every evening made me stand at the door and wonder "WHAT?" Clearly they were reporting the results of their daily quests... and I wondered, what if you were a crow whose wings didn't flap to the same drummer? What if you were interested in... say... shoes instead of green beans?Would you tell your best friend? Would he understand?
2) Sketch thumbnails with joy and abandon. Remember when you were a child who was too innocent to fear failure and brave enough to feel emotions?
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3) Take your story to your writer's group. Don't have one? Join SCBWI and find one. Workshop your material with other children's writers and illustrators. Attend conferences. Meet people who can help you polish your work to perfection. Be open to suggestions that resonate. This particular story was originally titled "Max and Regina", but when one of my brilliant writer friends, Jill Nadler, read it and whispered, "It's like Gift of the Magi", I thought she said "Magpie", and a whole new vista opened! Max and Regina turned from crows into their corvid cousins, and "Gift of the Magpie" was born. Magpies, by the way, with their white breasts and white striped wings are much more graphically interesting on the page.
4) When your work is ready and the members of your critique group smile and nod and offer up their blessings, it's time to submit. I recommend buying the Annual Exhibition Catalog of the Original Children's Picture Book Art Exhibit at the Society of Illustrators in NYC. You'll find the names of the editors and the art directors who worked on every book in the exhibit. It is a concentrated way to shop for who might be interested in your style, your sense of humor.
5) A contract arrives, you've read it carefully, sought counsel if you were sans agent and found yourself confused... (I type every contract into my computer. It is the only way I can "read" legalese. When I find something that confuses me, I highlight it and bring that up with my attorney.) When my sketches are approved, the work on final art begins... In my studio everything goes up on the wall in front of my drafting table where I can watch the whole book come together like a puzzle. It will never be seen this way again, but I am comfortable weighing it as a whole composition, darkening - lightening, working on balance.



Thank you, Janeen, for sharing your art and heartfelt words with us.
7 comments:
Janeen,
What a wonderful inspiration and story of creating a picture book that has such heart...art.
And I must say, the picture of the boss, Keira, priceless!!!
I love the story about how the title of your book changed based on your friend's comment.
Thanks for the wonderful advice! And your inspiration is perfect.
Thanks for posting the interview and contest.
What a lucky grandchild to be holding that lovingly-worn book! I can see she and her dolly are having a cozy time!
Looks like a fun book! I'm not an illustrator, but learned a lot about story and observing from Ms. Mason in a conference last year.
Congratulations on the book!
One of the best book covers - I love the colors and design.
What a wonderful book!
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